While failing to see any success for her own music, Renee did end up on the credits of Michael Jackson’s first ever British chart-topper, a 1975 album track released by Motown to cash in on Jacko’s popularity after the success of his 1979 Epic debut Off The Wall. Is it likely to work? With a soundtrack like that, most definitely. Does he sound like he’s lasciviously trying to weasel his way back into the affections of the woman who’s mad at him? Totally. Within a year, that argument had resulted in a song with which both Nina Simone and The Animals enjoyed huge success ( in 1986, Elvis Costello recorded a nice version too).įor the longest time, you risked getting yourself into a comparable argument if you declared that the epic 1977 Latin reinvention of the song by French producers Nicolas Skorsky and Jean Manuel de Scarano trumps all the others.Īnd yet Santa Esmeralda’s debut hit – in particular, the full 15-minute version – is an astonishing synergy of handclaps, keening mariachi trumpets and deeply funky flamenco guitars, piloted to stratospheric heights by vocalist Leroy Gomez.ĭoes he sound like he means a single word he’s singing? No, not really. Santa Esmeralda: Don’t Let Me Be Misunderstood (1977)Ĭomposer Horace Ott came up with the melody and chorus lyric of Don’t Let Me Be Misunderstood in 1964 after falling out with his wife-to-be Gloria Caldwell. Anyone who underestimates the power of walking along with their ding-dang-dong does so at their peril. Twenty-three years later, Edwyn Collins recorded an even more impassioned version as part of Channel 4’s A Song For Eurotrash TV special. As if to prove their own point about the power of the human will, Teach-In task themselves with the challenge of singing lyrics that lapse into unabashed nonsense as if their world depended on it (which, on the night it won them the Eurovision Song Contest, it sort of did).
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